Posts Tagged ‘photograph’

When I took this picture of buildings all jostling for space with each other on a Liverpool street I was going to just post it as a throw away picture post. However this was one of the views, with its variety of buildings from different eras, that inspired my render Accretion City. So I thought I might expand a little on the idea that pictures (especially 3D renders) need to be careful of avoiding mono culture scenery. I really like CityEngine (I think my reviews of CityEngine Indie and CityEngine Vue made that pretty obvious).

A lot of 3D scenes reveal their artificial nature because they use the same elements over and over again. I can’t remember which film it was but I do remember one of the 3D cartoons with insects films a few years ago where all the background insects looked the same. Every time I saw a group of ants in the background I knew I was watching a CG movie and it pulled me out of the story.  Vue users have become so used to EcoSystems they almost forget the power the variety gives in making scenes more believable through variation.

The sample scenes are great but they tend to create models of settlements that are very mono culture in nature. Even when they feature different types of area they tend to be of one era. CityEngines way of creating models of a city is great but they aren’t settlements that grow over time – and trying to making them do that is a task that would scare me and probably wouldn’t have huge benefits. So the trick will be to include a variety of building types to make it seem a model has grown over time. That will include creating models that fuse multiple styles so the old can be extended sometimes in a way that would have Prince Charles talking about carbuncles if these were real buildings.

Anyway somewhere along the lines before I’d finished writing what should have been a complete post I was struck by how I don’t just think this way for 3D stuff but also when I’m world building for stories or games. In fact I went as far as writing up a formalised way of doing that when I put together STEEPVM. Thats quite a formal method and I know that most of the time the ideas for a setting layer themselves by accretion until, hopefully, I have something believable.

Thankfully I don’t have to create some sort of procedural set of instructions for this to work. However I do have to be careful of the trap that lies in wait – a curate’s egg setting.

It is far too easy to be lured by lots of shinny, shinny ideas and to throw them all into a setting and be left with a mess. I hate to pick on one particular target but the RPG Waste World seemed to me to suffer baddly from this.  On the flip side I was really pleased when Nightfall Games posted on their new(ish) forums that they won’t be updating SLA’s technology because at the moment, for me, its achieved a level of accretion without tipping over into being a mess.

I was starting to write something about that when I remembered I’d written Leave out the (Steampunk) Kitchen Sink last year so I’ll not go back over that old ground again…

Dark Dwarf posted quite a few pictures of HMS Liverpool on her last visit to the city on his blog:

• The Leaving of HMS Liverpool
• HMS Liverpool

I just thought I’d post one of the ones I took last Sunday morning too.

On the opposite side of North John Street from the Royal Insurance Building is one of the ventilation shafts for the Mersey Road Tunnel. It’s not as grand an affair as the Georges Dock Ventilation Tower and Central Station with its statues and other decoration but it does merit Grade II listing. It’s quite a hard structure to get a photograph of because its wide but also very tall – at 60m its the 17th equal tallest structure in Liverpool. Hidden away high above the street, along the top of the bulk of the building, below the shaft itself is a thin, art deco decoration with a horse’s head at each end.  Yet another example of the treasures hidden in Liverpool’s architecture if you look up from the street sometimes.

I don’t usually photograph the Beatles attractions around the city but the Lennon European Peace Monument was catching the sun as I was looking for a vantage point in Chavasse Park to photograph the Royal Insurance Building’s golden dome from last week.

Last night I added a page for some Vue stuff from my blog to make it easier to find. Tonight I’ve pulled some of my photographs together into galleries in my pictures section so they’re not lost in a sea of over a thousand posts.

With the cold weather here’s another photograph from earlier in the year… a different view of Liverpool Resurgent over the entrance to the former Lewis’s Department Store.

Tree in Sefton Park, Liverpool

With sub-zero temperatures all week I’ve not taken my camera out.  So here’s one I made (months) earlier: a simple photograph of a tree in Sefton Park Liverpool.

Sunday night a thick fog descended on Liverpool. By Monday lunchtime it had lifted but I was still able to get some interesting photographs down on the waterfront at Lunchtime. I was surprised how many people were out with their cameras. Normally if I wander down there at lunch time there will be tourists about. There were a few Japanese tourists and a couple of school parties braving the December cold. There must have been a dozen or more locals out looking to get an iconic shot of the foggy waterfront. Here’s a wide angle shot of the Albert Dock from Strand Street. I’m hoping for a chance to get some shots in heavier fog sometime.

I’d gone down to the waterfront to take some photograph today and discovered the MPI Resolution was docked on the Mersey at the cruise liner terminal.  If a ship could ever be described as an impressive piece of kit this one has to be in the running to get that description.  The six towers are six jacking legs that allow it to raise the whole hull of the ship out of the water!  The large crane in the middle of the picture isn’t on the waterfront but also on the ship.  There is plenty of juicy technical information in the brochure on the owner’s website.  The MPI Resolution is currently operating out of Liverpool refitting turbines at Burbo Bank offshore wind farm, at the entrance to the River Mersey.

Over the last few days a giant column has risen from Chavasse Park in Liverpool One. Tonight the ride that goes up it swung into action for the first time. We can just hear the screams from our office. It seemed like a good subject for having a go at some night photography. This is probably not the best of the shots I took as the exposures a bit long but it had more of a sense of movement than the ones with less exposure.