Posts Tagged ‘flesh and stone’

Tonight’s Doctor Who, The Big Bang, was farce.  Not quite pure farce.  More like 90% farce.  Not bad farce.  Proper farce.  Farce in a good way.  In a The Importance of Being Earnest or Noises Off kind of way. It could take its spiritual importance from the second half of The Importance of Being Earnest’s full title: Importance of Being Earnest, A Trivial Comedy for Serious People.

Steven Moffat had real fun playing with the timelines this week.  Each of the characters in the story has a timeline that we dip in and out of.  The Big Bang shows the power of the point of view in a story.  We have the camera’s time line which starts out following Amelia Pond.  The Doctor keeps steering her to be in the right place at the right time for the Pandorica’s opening.   When did he put the postit on the Pandorica and when did he write it?

Then it swaps to Rory in 102AD (1894 years ago) anchoring us to the love story and to the Previously.  Then we get the first view of the farce.  One of the Noises Off sections where the Doctor gives Rory his instructions so he can escape from the Pandorica.  I’m not entirely sure there isn’t a paradox there.  Given the Doctor is trapped in the Pandorica with the sonic screw driver how did he escape the first time?  That’s really going to play with the heads of anyone who takes Who too seriously.  However he did it it was soon enough that he could still get River Song’s time travel doodad.

Then we get the Doctor’s alternative way of looking at life.  He can put Amy in the Pandorica for 1894 years to get healed.   Rory guarding Amy for 2000 years sets up his love and allows his dramatic entry to save the day.

Once the Doctor hops forward using the doodad we begin to follow him almost immediately.  We get a brief moment of Amy to set up her knowing of Rory’s 2000 year vigil that sets up their reunion and his coming to the rescue.  That lets us tie up the earlier action with Rory and Amelia.  We follow him up to the point where he is shot by the Dalek then it switches to Amy except for an excursion to River Song in the exploding TARDIS.

River Song’s time line trapped in a loop but unlike Groundhog Day or the Star Trek: The Next Generation episode Cause and Effect this is an unvarying time loop of just a few seconds that she has been trapped in for an eternity.  2 billion to 10 billion times.  No wonder she says “And what sort of time do you call this?”

Amy then has to sell the sadness of the Doctor’s sacrifice.  That no one will remember him.

Then its back to the Doctor as he rewinds back through his timeline.  The moment he checks himself echos a post regeneration.  He knows he’s escaped but isn’t 100% sure he hasn’t been regenerated.  He discovers Amy can hear him and before sacrificing himself to close the crack he plants a thought in her head and reinforces it before he does.  The line in Flesh and Stone which didn’t make perfect sense at the time is explained now we see it wasn’t the Doctor from that episode but the Doctor from this episode who spoke it.  Then he sacrifices himself into the crack.

So finally to Amy again on her wedding day.   Slightly confused.  Trying to work it out.  Glad they avoided the wedding and skipped to the reception.  TV weddings have a way of feeling artificial.  The River Song, the blank diary, the bow tie and the man wearing braces.  The embarrassed guests at the reception.   All of that to set up the TARDIS makes its big entry.  Love the way the TARDIS makes its big entry.  Karen Gillan really sells her delivery of a cliché that takes on a whole new meaning.  The dramatic incidental music becomes more and more powerful each time its used.  Its almost more powerful than the main theme now.  In combination the two of them can be played as a double emotional whammy as they use it at the end.

All of this took a lot of plotting, writing and planning to make it make sense.  The camera is clever and it helps us follow the story and play some tricks on us but we’ll forgive it for that.

There are just some really fun things in the episode…

A Dalek in a Museum

Someone had fun dressing the set putting the time anomalies together leading up to the Pandorica.  Plus a certain someone as the leader of a star cult.

The Pandorica looks so cool.  It opens and closes in such a fun way.  Need Pandorica dice.  And again – one broken down DALEK scarier and cooler than an army of DALEKs.

“I dated a Nestine duplicate once swappable head, did keep things fresh.” River gets such good lines.  Then the moment, just a glance, between Amy and River when they destroy the Fez.

The writing has a wonderful knowingness without being smug.  A universe reboot not just a figurative or cynical, marketing ploy.  A character plotting one.  A literal one.  To save the universe.  It adds onto River’s work to avoid spoilers.

The Doctor dancing like a drunk giraffe.  Fun and reminding us he doesn’t entirely fit in.

The solution to the destruction of time and space has a mad logic that has been set up over thirteen episodes.  It’s crazy but it was set up.

The fez: that is going to really upset the hate the bow tie crowd.  It’s a really clever technique to let us keep track of the timeline.  If there is a Fez craze for kids next Christmas I’ll have a good laugh.

Having the Doctor have to work it out as he is going on.  Setting out each leap, no matter how fantastic, as logical.

Once its all over and we’ve had a moment to enjoy their success we have the set up for the Christmas special.  Alongside that we’ve the next series mystery – why did the TARDIS go then?

Who is River Song.  River casual high noon moment with the DALEK.  Is there a hint there when she tells the Dalek to recheck his records about her being one of the Doctor’s companions?  The Dalek’s fear moments later after, presumably, rechecking and discovering something.  Is it just that she will kill or that it finds something more?  Anyone that can scare a Dalek is emphatically someone to take seriously.  Yet on the flip side she nudges Amy to free the Doctor and her unguarded “I’m sorry my love.”  Whoever she is I don’t think she’ll do a sixth season Buffy Bad Willow on us.

And of course what is The Silence?  Is that a reference to Silence in the Library?  Is that just a red herring.

All in all both an excellent finish to the two part story and an excellent end to the series.  Do you agree?

So here are my random thoughts on tonigh’s Doctor Who episode The Pandorica Opening but first a little sillyness…

This week’s episode could have been titled: How do you solve a problem like the Doctor?  Now I know my theory about Graham Norton as the series bad guy and the crack being the gap under the curtain is rubbish but see it fits.  Really it does

And now with that out of my system let’s get down to The Pandorica Opening…

The opening worked well pulling together the disparate threads from the series through vignettes to pull the Doctor, River Song and Amy together and then make the revelation of Vincent’s painting.  River Song gets a moment to shine showing she is the best female rogue since The Stainless Steel Rat’s Angelina diGriz.

Tonight showed one broken down Cyberman scarier than all the ones in the new series so far.  The arm; the head with tentacles, skull, poison dart and added snappy front action; and then the headless body.  The original series could have gotten an entire episode out of that.  There would have been lots of screaming and running.  It would have been glorious.  Even the potted version was excellent.  Several reports on Twitter suggest it was a proper old fashioned Doctor Who hide behind the sofa scare for the kids.

Then we get the Big BADDS (Bads Amalgamated Doctor Defense Society): an alliance of lots of old enemies who are unfortunately working on a mistaken assumption.  A great excuse to bring all those costumes and prosthetics out of storage.  It would be silly but I’d love a Reservoir Dogs style slow motion shot of one of each of them walking towards camera.  Instead we got a nice panning shot across them.  By avoiding a dodgy CG battle they weren’t made into a disappointment.  They got to be ominous.

The crack in time was always going to be a hard sell as a season bad guy.  It has the same problem as Sauron in Lord of the Rings:  it can’t do a dramatic scene.   The Big BADDS working together is a nice touch as something so awful that it can unite all of them really must be a really Massively Big Bad.

I think I spotted a couple of passing references to the old series (along with a little Star Wars Cantina action)…  a fleeting reference to Ghost Light when the Doctor comments about ghosts?

“I hate good wizards and fairy tales they always turn out to be him”.  In the old series story Battlefield the Doctor is mistaken for Merlin. Now there is a myth started by Geoffrey of Monmouth in Historia Regum Britanniae that attributes the construction of Stonehenge to Merlin.  Looks like Geoffrey got it wrong.  Looks like the Big BADS built it to mark the location of their trap. 

The monsters weren’t the only risky moment.  The CG space fleets was also handled well where an overstretched budget could have left it looking ropy.   “If you bury the most dangerous thing in the universe you’d want to remember where you put it”.  The risk with Stonehenge is Spinal Tap; it’s like Monty Python and the Holy Grail and coconut shells for horseshoe sound effects; I think they got away with it.  Using the real location for establishing shots definitely helps.

I really enjoyed The Pandorica Opening and it will be a long week waiting for The Big Bang.  That’s where I’d usually leave this except I was thinking how the other episodes this series tie up with the story (and a few from earlier series by Steven Moffat)…

Blink – Introduced the Angels

Silence in the Library – Introduced River Song and her non synchronous timeline with the Doctor.

The Eleventh Hour – Established the crack in time, the new Doctor, Amy and Rory.

The Beast Below – Liz 10 having the picture in the future.

Victory of the Daleks – Churchill’s phone being able to call the TARDIS.

The Time of Angels / Flesh and Stone – The crack in time, the Angels and more River Song.

The Vampires of Venice – The crack in time being really scary to Monsters.

The Hungry Earth / Cold Blood – Rory vanishing.

Vincent and the Doctor – The Painting to set up the picture being sent along with the impact of Rory being wiped from time.

I’d say it’s a safe bet that time machine causing all the problems in The Lodger is going to turn out to be TARDIS.

That leaves Amy’s Choice as the one episode this season that doesn’t seem to tie in.  So is there something I missed, is it a set up for something past this series or was it just a one off?

I’ve been lazy and didn’t do a post for last week’s Doctor Who, Flesh and Stone.  So this week I’m doing a read one (post) get two Doctor Who reviews.  I’ll come to The Vampires of Venice soon but first Flesh and Stone and then at the end the Crack and River Song.

Second parts haven’t been the new Who’s strongest stories.   Fortunately Flesh and Stone worked from start to finish.  The escape by jumping onto the crashed space ships gravity.  Having the Doctor use a gun as a tool to engineer the escape was a nice touch.

Amy’s spooky countdown was a nice play on the old countdown timer gimmick.  The solution to the Angel inside her was clever and created another problem.  That in turn set up the problem of her escaping from the angels and the crack with her eyes closed and walking like she can see.

The end of the episode caused complaints but nowhere near the same scale as the last episode.  Interesting that the it’s a kids show and must be pure and nice with nothing adult mob didn’t even come close to the you spoilt our episode mob for numbers of complaints.

The Doctor had some nice snappy dialogue.  He also got some nice monologues.  Really liked the lines about the plan not being ready because he’d not finished talking yet and about having to trust him because he doesn’t always tell the truth.  Personally I’d have left the nanight off his climatic comment about them having forgotten the gravity of the situation.

The Vampires of Venice:  This week we got fishy, venetian vampires.  I was hoping for the return of the haemovores from the Curse of Fenrick but it wasn’t to be.  Lots of fun plenty of running around, an explosion, a sword fight and action but also a good building tension through the story.

The location worked wonderfully.  The set dressing was beautiful and costumes.  And there were the vampire girls.  They made up for the lack of haemovores.  Will the buxom, vampire girls get complaints to the BBC?

Overall, although I enjoyed it, I’d say The Vampires of Venice frothy a bit light.

Both episodes gave us more about the cracks.  Flesh and Stone revealed the danger of the cracks as they destroy people so they never existed.  Is the crack following Amy?  The crack unwrites time.  The crack can be fed to slow it down.  The Vampires of Venice was more of a teaser than a revelation with the bits about silence.

Who is River Song?  Who did she kill?  I’m not convinced by the idea that she’s the Masters wife or that she killed the Doctor.  The hints have been too broad and too obvious.  If either of those were true I doubt Moffat would have given such big clues away already.  Unless its more complicated and there is another layer to unpeeled below the hint.  A twist or two yet to be revealed.  Will she be back this season or are all the hints setting up for the long term?